Not One Less - Wikipedia. Not One Less (Chinese: . Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. Xiaobo Chen is a research engineer at The University of California at Berkeley and a Lawrence Berkeley National Laboratory scientist. A student-centered regional planning group activity for non-science majors. Journal of Geoscience Education 52 (5):472-480. Official portrait of Mao Zedong which hangs at Tiananmen. 1st Chairman of the Central Committee of the Communist Party of China; In office. It is filmed in a neorealist/documentary style with a troupe of non- professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. The domestic release of Not One Less was accompanied by a Chinese government campaign aimed at promoting the film and cracking down on piracy. Internationally, the film was generally well- received, but it also attracted criticism for its ostensibly political message; foreign critics are divided on whether the film should be read as praising or criticizing the Chinese government. When the film was excluded from the 1. Cannes Film Festival's competition section, Zhang withdrew it and another film from the festival, and published a letter rebuking Cannes for politicization of and . The film went on to win the Venice Film Festival's Golden Lion and several other awards, and Zhang won the award for best director at the Golden Rooster Awards. Background. About 1. Chinese people had missed all or part of their education because of the Cultural Revolution in the late 1. One of the major challenges educators faced was the large number of rural schoolchildren dropping out to pursue work. He related how the censors . When Gao discovers that Wei does not have a high school education and has no special talents, he instructs her to teach by copying his texts onto the board and then making the students copy them into their notebooks; he also tells her not to use more than one piece of chalk per day, because the village is too poor to afford more. Before leaving, he explains to her that many students have recently left school to find work in the cities, and he offers her a 1. Wei Minzhi, you look after the students. More than ten have already left. I don't want to lose any more. The mayor promised fifty yuan; he'll make sure you get it. If all the students are here when I get back. Early in the month, a sports recruiter comes to take one athletic girl, Ming Xinhong, to a special training school; unwilling to let any students leave, Wei hides Ming, and when the village mayor (Tian Zhenda) finds her, Wei chases after their car in a futile attempt to stop them. The Department of Orthopaedic Surgery offers services and programs through the following Divisions. Use these links to directly access all our Department sites. Zhu received his BE in 1982 from Jiangsu Institute of Technology, ME in 1987 from Shanghai University of Technology, China, and PhD in 1995 from University. The prevalence of obesity is alarmingly high, and the proportion of adults who are overweight and obese in the United States and elsewhere continues to increase. One day, after trying to make the troublemaker Zhang apologize for bothering another student, Wei discovers that Zhang has left to go find work in the nearby city of Zhangjiakou. The village mayor is unwilling to give her money for a bus ticket to the city, so she resolves to earn the money herself, and recruits the remaining students to help. One girl suggests that they can make money by moving bricks in a nearby brickyard, and Wei begins giving the students mathematical exercises centered on finding out how much money they need to earn for the bus tickets, how many bricks they need to move, and how much time it will take. Through these exercises and working to earn money, her rapport with the class improves. After earning the money, she reaches the bus station but learns that the price is higher than she thought, and she cannot afford a ticket. Wei ends up walking most of the way to Zhangjiakou. In the city, Wei finds the people that Zhang was supposed to be working with, only to discover that they had lost him at the train station days before. She forces another girl her age, Sun Zhimei, to help her look for Zhang at the train station, but they do not find him. Wei has no success finding Zhang through the public address system and . The receptionist (Feng Yuying) will not let her in without valid identification, though, and says the only way she can enter is with permission from the station manager, whom she describes as . For the rest of the day, Wei stands by the station's only gate, stopping every man with glasses, but she does not find the station manager, and spends the night asleep on the street. The next day the station manager (Wu Wanlu) sees her at the gate again, through his window, and lets her in, scolding the receptionist for making her wait outside. Although Wei has no money to run an ad on TV, the station manager is interested in her story and decides to feature Wei in a talk show special about rural education. On the talk show, Wei is nervous and hardly says a word when the host (Li Fanfan) addresses her, but Zhang. After Wei and Zhang are reunited, the station manager arranges to have them driven back to Shuiquan village, along with a truckload of school supplies and donations that viewers had sent in. Upon their return, they are greeted by the whole village. In the final scene, Wei presents the students with several boxes of colored chalk that were donated, and allows each student to write one character on the board. The film ends with a series of title cards that recount the actions of the characters after the film ends, and describe the problem of poverty in rural education in China. While most of Zhang's early films had been historical epics, Not One Less was one of the first to focus on contemporary China. When Wei Minzhi arrives in Shuiquan village, the teacher Gao has not been paid in six months and the school building is in disrepair. The version of the film released overseas ends with a series of title cards in English, the last of which reads, . Through the help of donations, about 1. This balancing act between the real and the imaginary has drawn comparisons to neorealist works such as those of Iranian directors Abbas Kiarostami and Mohsen Makhmalbaf. Many scenes pit Wei against authority figures such as the village mayor, the announcer in the train station, and the TV station receptionist who also acts as a . Most major characters, including Wei, demand payment for their actions. When Wei reaches Zhangjiakou, the film creates a clear contrast between urban and rural life. While Wei's first view of the city exposes her to well- dressed people and modern buildings, the living quarters she goes to while searching for Zhang Huike are cramped and squalid. Scott of The New York Times compared the . With respect to the works of directors from America, France and Italy for example, I doubt you have the same point of view. Beijing Youth Daily. Neither Not One Less nor Zhang's other 1. The Road Home was selected for the 1. Cannes Film Festival's Official Selection, the most prestigious competition in the festival, where several of Zhang's earlier films had won awards. Kemp described the ending as . Hao said that Not One Less marked the beginning of Zhang's transformation from an outspoken independent director to one of the government's favorites. Scott of The New York Times praised the . Lu reports that the film grossed . This was the first time China had enacted special copyright protections for a domestic film. Kwok & Mc. Knight 2. Knight, Shi & Song 2. Feinstein, Howard (6 February 2. Retrieved 9 September 2. The Philadelphia Inquirer. Not One Less, credits.^. Retrieved 4 October 2. Retrieved 9 September 2. Kemp, Philip (August 2. Retrieved 9 September 2. Retrieved 1. 9 October 2. Frodon, Jean- Michel (3 November 1. Zhang Yimou se soumet . Zhang Yimou submits to compromises without entirely abdicating his talent. Kwok & Mc. Knight 2. Zhang 2. 00. 1, p. Scott, A. O. Archived from the original on 1. January 2. 01. 2. Retrieved 9 September 2. Film Journal International. Retrieved 1. 9 October 2. Zhang Yimou se soumet . Zhang Yimou submits to compromises without entirely abdicating his talent. Ebert, Roger (2. 8 May 1. Retrieved 1. 7 September 2. Ansen, David (6 March 2. Retrieved 1. 9 October 2. Zhang 2. 00. 1, p. Kraicer 2. 00. 1, p. Zhang 2. 00. 1, p. The original Chinese text of the letter is available at . Retrieved 1. 0 September 2. An English translation is available in Zhu (2. Retrieved 1. 0 September 2. Retrieved 1. 0 September 2. Retrieved 1. 0 September 2. Zhang Yimou se soumet . Zhang Yimou submits to compromises without entirely abdicating his talent. Vera, Noel (5 November 1. Archived from the original on 2. May 2. 00. 0. Retrieved 1. September 2. 00. 9. Retrieved 1. 6 September 2. South China Morning Post. Retrieved 5 October 2. Retrieved 1. 0 September 2. Retrieved 1. 2 September 2. Retrieved 4 October 2. Chinese Movie Database. Retrieved 9 October 2. Golden Bauhinia Awards. Archived from the original on 1. March 2. 00. 8. Retrieved 9 October 2. In search of cinema: writings on international film art. ISBN 9. 78- 0- 7. Women through the lens: gender and nation in a century of Chinese cinema. University of Hawaii Press. ISBN 9. 78- 0- 8. Chinese Sociology and Anthropology. Knight, John; Shi, Li; Song, Lina (2. Human development in the era of globalization: essays in honor of Keith B. ISBN 9. 78- 1- 8. Kraicer, Shelly (2. Retrieved 9 September 2. Kwok, Juanita; Mc. Knight, Lucinda (2. Film Asia: new perspectives on film for English. Curriculum Corporation. ISBN 9. 78- 1- 8. Fifty contemporary filmmakers. ISBN 9. 78- 0- 4. Lu and Emilie Yueh- Yu Yeh. Chinese- Language Film: Historiography, Poetics, Politics. Insight from the film Not One Less). Wang, James CF (2. Contemporary Chinese Politics: an introduction (7 ed.). Zhang Yimou: interviews. University Press of Mississippi. ISBN 9. 78- 1- 5. Zhang, Xiaoling (2. Chinese cinema during the era of reform: the ingenuity of the system. Greenwood Publishing Group. ISBN 9. 78- 0- 2.
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